Mexican workshop The greatest Mauricio Rocha expanded the Anahuacalli Museum to Mexico Citywhich was initially designed by artist Diego Rivera and architect Juan O’Gorman.
As a result of a rise in its actions, the Anahuacalli Museum determined to broaden its footprint into the adjoining park, including further constructions to the unique buildings designed by Riveria and O’Gorman.
The greatest Mauricio Rocha added three buildings that soar above the volcanic soil of San Ángel, a neighborhood south of Mexico Metropolis, in addition to a courtyard and walkway that join the brand new constructions to the unique facility.
The entire constructions added by the studio are low – related in peak to different museum buildings, apart from the principle castle-like construction that after housed Rivera’s studio.
“The conclusion of the extension concerned an open dialogue with the pre-existing structure with a up to date interpretation and the good problem of constructing within the ecological reserve, which is among the few examples the place its ecosystem has not been altered”, the studio stated.
“The intervention manages to be a linker and never an aggressor.”
The unique design of the museum positioned the buildings round an open plaza.
Taller Mauricio Rocha’s three buildings are on the west aspect of the property and embrace a storage constructing, workshop and places of work.
With cantilevered volcanic bases of the constructions above floor, every constructing opens onto the brand new courtyard.
The warehouse – which additionally serves as a efficiency house – and the workshop are each sq. in form, whereas the workplace constructing is lengthy and steps away from the unique courtyard.
The bottom of the buildings is clad in volcanic stone, just like the unique constructions, however the one-story liveable ranges are clad in darkish louvers that open the areas as much as the pure environment, complemented by a collection of gardens organized across the constructions .
In some locations, the voids underneath the cantilevered constructions create shaded semi-enclosed patios.
Two of the buildings characteristic voids designed to open this system. These voids have additionally been full of vegetation and function “open-air workshops”, in keeping with Taller Mauricio Rocha.
“Buildings are recessed of their base to have much less impression on the panorama, the materiality of latest buildings with concrete and volcanic stone slabs of their base,” the studio stated.
The lattice partitions of the outside have been machine reduce and the flooring and ceilings are concrete. Darkish stained wooden traces a few of the inside hallways and was additionally used to craft the doorways.
The supplies employed by Taller Mauricio Rocha proceed the darkish, volcanic palette of the unique constructions, however have a extra open program than the dense stone of the originals.
As a part of the challenge, some renovations of present constructions have been additionally carried out by the studio.
The previous warehouse has been reworked right into a upkeep space, the executive areas have turn out to be a cafeteria and a store, and the workshop has created museographies and different exhibition amenities.
Rivera started work on the museum within the Fifties, designing and supervising the development of the principle constructing earlier than his dying in 1957. After his dying, architect O’Gorman and Rivera’s daughter, Ruth, supervised the development of the extra buildings.
Previous to Taller Mauricio Rocha’s intervention, hundreds of works of pre-Hispanic artwork that Rivera had gathered throughout his lifetime have been in storage, however the brand new buildings permit many of those items to be considered by the general public.
“The Anahuacalli Museum is a spot that gives a big public house along with providing the final interval of Diego Rivera and the gathering of his pre-Hispanic items that he donated to the Mexican individuals,” the studio stated.
Different works that mix previous and new in Mexico embrace Progreso Geology Museum of Estudio MMXwhich makes use of Mayan development strategies and supplies in a contemporary context.
The {photograph} is from Raphael Gamo.
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